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is about working-class gay youths coming together in South East London amid a backdrop of boozy, poisonous masculinity. This sweet story about two high school boys falling in love with the first time gets extra credit rating for introducing a younger generation on the musical genius of Cass Elliott from The Mamas & The Papas, whose songs dominate the film’s soundtrack. Here are more movies with the best soundtracks.
A.’s snuff-film underground anticipates his Hollywood cautionary tale “Mulholland Drive.” Lynch plays with classic noir archetypes — namely, the manipulative femme fatale and her naive prey — throughout the film, bending, twisting, and turning them back onto themselves until the nature of id and free will themselves are called into question.
, John Madden’s “Shakespeare in Love” is often a lightning-in-a-bottle romantic comedy sparked by one of the most assured Hollywood screenplays of its ten years, and galvanized by an ensemble cast full of people at the height of their powers. It’s also, famously, the movie that defeat “Saving Private Ryan” for Best Picture and cemented Harvey Weinstein’s reputation as on the list of most underhanded power mongers the film business had ever seen — two lasting strikes against an ultra-bewitching Elizabethan charmer so slick that it still kind of feels like the work with the devil.
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Taiwanese filmmaker Edward Yang’s social-realist epics usually possessed the scary breadth and scope of the great Russian novel, from the handjob multigenerational family saga of 2000’s “Yi Yi” to 1991’s “A Brighter Summer Day,” a sprawling story of one middle-class boy’s sentimental education and downfall established against the backdrop of a pivotal instant in his country’s history.
Seen today, steeped in nostalgia to the freedoms of the pre-handover Hong Kong, “Chungking Categorical” still feels new. The film’s lasting power is especially impressive while in the face of such a fast-paced world; a world in which nothing could be more useful than a concrete offer from someone willing to share the same future with you — even if that offer is created on a napkin. —DE
and so are thirsting to see the legendary drag queen and actor in action, Divine gives one of the best performances of her life in this campy and vibrant John Waters classic. You already love the musical remake, fall in love with the original.
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Allegiances within this unorthodox marital arrangement change and break with the many palace intrigue of power seized, vengeance sought, and virtually nobody being who they first look like.
As well as giving many viewers a first glimpse into city queer lifestyle, this landmark documentary about New York City’s underground ball scene pushed the Black and Latino gay communities into the forefront with the first time.
You might love it with the whip-sensible screenplay, which received Callie Khouri an Academy Award. Or possibly for your chemistry between its two leads, because Susan Sarandon and Geena Davis couldn’t have been better cast as Louise, a jaded waitress and her friend Thelma, a naive housewife, whose worlds are turned upside down during a weekend girls’ trip when Louise fatally shoots a person trying to rape outstanding youthful sandy sweet fucks nicely Thelma outside a dance hall.
Maybe it’s fitting that a road movie — the ultimate road movie — exists in so many different iterations, each longer than the next, spliced together from other iterations that together produce a feeling of the grand cohesive whole. There is beauty in its meandering quality, its concentrate not on the sort of stop-of-the-world plotting that would have Gerard Butler foaming within the mouth, but on the comfort of friends, lovers, family, acquaintances, and strangers just hanging out. —ES
Mambety doesn’t underscore his points. He lets Colobane’s turn toward mob violence come about sex website subtly. Shots of Linguere staring out to sea combine beauty and malice like couple of things in cinema due to the fact Godard’s “Contempt.”